uncut, provocative, decadent,beautiful, frenzied, sensual baast. the culmination of sensory xploration. initiates international esents you with a new collection f kosmiche musiche - a potent mix of hard rhythms, direct horns nd spatial electronics. get yours now. limited edition!

philadelphia-based producer chaperone has been working as a creative partner at great circles for the past six months, as well as collaborating with westov temple on an ongoing a/v project, seppuku overwrite. p o n d is his first 12 inch release on the label.

rss disco remix masin by ya tosiba. the dj and producer trio from hamburg focus on the bassline and make the synth pads shimmer. the original ya tosiba song is about the sudden appearance of cars in the streets of baku in the 80s. its a perfect cruising track now. patric catani aka candie hank mixes a hilarious, bouncing version of molla, paying tribute to zuzus funky meykhana vocals.

schleissen 1 marks the beginning of a major, four-part project from stuart leath s emotional response label an in-depth exploration of the outer reaches of drone and ambient. it s a grand scheme, highlighted perfectly by the grandiose scale of serbian maverick abul mogard s opener a hypnotic, 19-minute exploration of modular drone music that s as freaky as it is beautiful. stefan schwander dons his now familiar harmonious thelonious alias on the flip, laying down two brilliantly melodious synthesizer pieces inspired by the cyclical compositions of acclaimed minimalist composer steve reich. both pieces are borderline stunning, and more than worth the admission price.

mystery producer myriadd goes deep again on this 4 trackers! myriadd is craig stainton, a producer that has also released as acid phreex and mantra on labels such as pinkman, signals and creme organization, to where he returns now with a new four track ep that explores plenty of mystic house and techno territory.

arteform are proud to be serving up a re-release of a massive track alongside some great remixes. the original ‘moving free’ by benno blome feat. big bully was released on berlin-based label bar25 and now it gets refreshed by tripmastaz, rhadow and blome himself with fantastic results.

re-issue of a thunder orchestras shall i do it?, a haunting yet beautiful slice of hypnotic proto techno from the vaults of the rich eighties belgian new beat / synth wave / ebm noir scene, originally recorded in 1985 and released on a handful of cassette tapes only. re discovered by walhalla records and included on their underground wave volume 4 compilation in 2014, and now re-mastered and available on 12inch format for the first time ever.

middlesborough duo perfume advert (aaron turner & tom brown) follow up their long sold out debut release on 1080p with their first 12inch drop kappa downs for where to now? records

m a n i k returns to ovum with in walks bourbon! a long-standing veteran of josh winks ovum imprint, the in walks bourbon ep marks maniks fifth offering to the label and maintains the high quality weve come to expect from an artist who is comfortably at the top of his game right now. the ep consists of a trio of raw, chunky, house-influenced cuts which show m a n i k diving back in to the underground sounds of his new york roots with a taste of chicago. the a side track wink kd lures the listener in with its catchy groove and hypnotic vocal sample.

in 1996 paul birken released the classic and now rare as hens teeth surfin superior double 12inch on woody mcbrides communique label. this was to be a revered and respected record that influenced many and is still talked about and played today. now, some 19 years later he follows it up with part 2. nobody works as hard at getting human sounding chattering from their machines as birken and here he treats us to 8 massive cuts of grinding techno that are as humorous as they are danceable.

this release marks a new beginning for berkovi, better known for his tougher music man, force inc, djax and harthouse releases over recent years. after haunting the bside of one release too many, a reboot into a more beloved and emotional techno template is obviously reaping dividends. according to the man himself, this is no trend following phenomenon: i ve always produced deeper music, more often than not even years ago was always pushed to b sides of eps or remixes but now it s the main thing i want to do, techno with soul. after releasing a lot of more melodic material on labels such as eevonext and an album for trapez a few years ago i want to return to solely concentrating on this style for my music and live sets

originally recorded in london, june 1962 with robert farnon and his orchestra. this newly remastered re-issue comes on 180 gram heavyweight vinyl and includes a download code for the full album.

we bring you the first release in a series of disco reworks inspired by the mouthwatering dish that is the schnitzel, brought to you by the artists that are now said to have appropriated the most important traits of this breaded beast: crunchy on the outside, juicy on the inside and best served with a slice of lemon.

italian born federico costantini is now a close member of the hell yeah family having released a number of eps on the label before now. here, for the first time, he steps out with a full-length album project that really showcases his style across nine great tracks.

what can be said about kerri chandler that hasn t already been said? the man is one of the greats of contemporary house music, a true legend & one of the most hard working & consistent producers out there today. trionisphere, his (second) lp from 2003 has it all, those gritty drums, the deep garage groove, the church feeling that influences so much of his sound & those bass-lines that he s renowned for are all here, not forgetting the outstanding vocal performances from his long-time collaborator dee dee brave amongst a cast of other guests. the sounds on the lp are wide ranging, from the uplifting latin swing of ye yo ma (mother) to the sparse, pacey, heads down house of it s you we re treated to a glimpse into mr.chandler s sound world across 2x12inchs & we all know that can only be a good thing! trionisphere has always been a fond favourite with house aficionados around the world & hasn t been available for a little while.until now! fully re-mastered, re-pressed & re-released in conjunction with king street sounds, nyc & made available again for 2015 in it s original format with the permission & participation of all rights holders. now s your chance to own a piece of ny/nj house history!

ir103 * the jazzy grooves ep*, was the 3rd release in i records history. having already struck a nerve in house music with two vinyl compilations called -the avenue project-, the label enlisted the talents of the now legendary duo -jazz n groove- to provide it s first all original artist ep. delivering the firepower, the release featured 5 tracks and included the long awaited -open up-. first released in the mid 90 s,it was featured as an exclusive vinyl with full color labeling. this release has become one of the hardest i records back catalog to find.

four proper house/techno jams by dj haus. ltd repress

having released on the label before (including a collaboration with lake haze last time out) lisboa based producer ivvvo now returns to creme organization with a new three track solo ep.

the new album by paul hartnoll of orbital fame under his 8:58 moniker.

you would be forgiven for not knowing the newest addition to the slowly expanding claremont 56 roster. you see, there has been no recorded output from german combo bambi davidson since the release of their largely overlooked minimal post-rock debut album, el faco, in 2000. until now, that is.

the latest instalment from danse club kicks off a much darker and harder side of the label previously unheard of on the now established imprint - with dark sleeves and muted colours there is a clear difference in sound and direction with the 17th release by emerson todd.danse club have called upon sascha dive, nathan barato and themselves (brodanse) for remix duties in order to take emerson todds original piece in three very dance floor led yet contrasting directions. from each of the remixers you get exactly what you would expect from the said names and the result is a package of stand out danse club tools that will find their way into a number of record bags permanently

its been three intense years now since the formerly tel aviv-based dj, producer and girl scout-leader magit cacoon hooked up with the upon.you-family back in 2012 after relocating herself to berlin. within this period the charismatic performer served a string of groundbreaking releases on upon.you records that perfectly reflect on her musical vision now fully unfolding on her first album other dimension which is a seductive, yet playful and surely spine tingling statement of a matured and fully grown artistic mind.

by now the leipzig based overdubclub got fixed in the heads of instrumental music lovers in germany outside the city boundaries. the concept and the unique sound of a beatmaker roundtable which focuses not just on each participants productions, but also on the jam character, shows through diversity and individuality what is possible when making music collaboratively.

our dear friend and oslo label mastermind federico molinari returns on raum, this time together with his mate alexis cabrera. both of them are hailing from argentina but currently are living in berlin. there they also met and decided to start this project together. these two jams are the first result now and we hope you like them as much as we do!

now entering its seventh year, dutch label field records continues to focus on great album projects. after a triple 12- compilation in 2014, and ahead of a third album in the coming months, now comes a 12 track opus, in the wake of the dark earth, by d.a.r.f.d.h.s. aka swedish pair michel isorinne and jonas ronnberg.

the trained pianist max loderbauer, together with ricardo villalobos, has just breezily launched the jazz sanctuary of the munich-based ecm records into the ether as -re: ecm-. on the new adventure he now logically again finds himself working with sanctuaries. for the tool he uses for creating worlds is the finest modular synthesizer in the world, the buchla 200e

brightons black key records has won many underground house fans thanks to superb releases from iron curtis, tom ellis, ethyl & flori and others, and is now back with another tasteful offering from cecil. the ep is supported by a remix from berlins matthew burton and kate rathod.

another slamming rarity from the misty, heady days of the earliest 1990s, coming out of chicagos underground on steve poindexters cult chicago bad boys imprint power move pulls no punches! if you dig that demented, raw, about to come off the tracks chicago ghetto style house then ricky smith is your man! this is a truly rare ep & now it is back again, with a full re-issue complete with all original chicago bad boys artwork & a full re-master!

limited 2015 repress, marbled pink 180gr vinyl , just 200 copies , thats it.
part four in the series sees mosaic return to its signature sound of the late 90 s : deep techno-tinged house. first up is uk house legend nail , who was in hiding in london and suffolk for a while , but is now back in his bunker in nottingham making music once again. his offering, -pharoah,- was created on boxing day 2013 especially for mosaic and contains all the hallmarks of classic nail productions of the 90s whilst maintaining a foot firmly in the present. if you like your house deep and sample heavy this cut is definitely worth checking out...on the flip we have two tracks from newcomer annie errez. annie is a resident dj at the mint club in leeds and has been developing her production skills over the last few years with appearances on holic trax , saints & sonnets as well as a very fine release on strobewax which she co-runs with fellow mint club resident bobby o donnell. if deep techno- house is your cup of tea then put the kettle on and listen to the sublime -bell curve- and the dubbed out bass monster that is auguste.- we are sure that you will agree that there is no doubt that she will be a producer to keep an eye on in the future

we are happy to welcome invite (aka tim van paradijs) to the knotweed records family. many of you already know tim for his skills as a dj and for his famous invites choice podcasts serie. he now demonstrates his production skills by delivering three big room techno tracks that will for sure make some noise on techno dance floors across the globe.

*lies*, a track from the now-defunct uk experimental group bourbonese qualk, get new life by way of a vinyl release on mannequin records with ancient methods on edit and remix duties. the release will contain also the original short-time version.

emvep002 is emv005 and emv006 sold as a doublepack vinyl for the price of a single 12 inch!

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts.
wd37 broadway kiss showcases the hair-split-contrast in our disco genre. 4 songs so good, they all deserve equal attention, pontchartrain delivers, lifesaver, an immaculate distillation of house and disco fused, buffed and polished. on the inside, osmose has bottled pure disco fire with broadway kiss, a perfect party starter for any warehouse with disco leanings.
flipping to the aa, seasoned jock, derek kaye has reworked holding on and in the process landed it (and a few others!) in greg wilsons top edits of 2014 chart. by now, you must know that we are very fond of a bit of cheese in our whiskey… rulefinn sidesteps the usual elements of la biondas i got your number to focus on the slick guitar, while retaining the vocals until the end for optimal impact.
after listening to this ep, you will feel like you have been kissed all over.

as the popularity of footwork has continued to soar, the range of sounds within the genre has expanded. from the angular, minimal beats of rp boo to the widely admired sound of sadly departed dj rashad, the genre has lovingly seeped into hearts and feet worldwide whilst continuing to innovate. until now most of the focus has been on the male dj/producers, but that is about to change. gary based producer jlin, who some of you might remember for her track *erotic heat* (bangs and works vol.2 – planet mu 2011), or from her moment in the mainstream light providing music for fashion designer rick owens f/w 14 paris runway show, is stepping further into the light with a stunning eleven track debut album *dark energy* showcasing her unique and bold new sound.

argentina has a rich history when it comes to dance music and gonzalo solimano is one of the countrys finest electronic flag-bearers. with his unlock recordings imprint he has created a heavy back-catalogue that the likes of barem, guti, luca m and daniel sanchez have all contributed to. after a short break solimano is back with his *factor h* ep and the original mix is a tropical, cow bell laden treat, one that sums up the nation’s sound nicely. on remix duty is both fase and fellow argentinian maestro guti. the producers last full-length was the jazz-inspired *rompecorazones* and now a remix lp is set to follow but here we focus on his amazing edit of *factor h*. guti has maintained the percussive elements of the original but added a significant amount of groove and focused on adding in thick kick drums and more drive. it is one you can imagine on the terraces or at 4am in a darkened room and this is why guti is such a don. pressing on green marbled vinyl)

turquoise blue recordings was founded with a simple aim: releasing house music that is deep, sometimes dark but always groovy and underground. it is therefore no surprise the label is now releasing an ep by finnish born producer, phonogenic. with previous releases on 20:20 vision, turbo, moodmusic and others, tuomas salmela aka phonogenic has spent most of his recent time in the studio where he is preparing his forthcoming album. despite this, he did find time to capture the true essence of turquoise blue with this brand new ep, bringing us three originals and a collaborative remix from canadian producers the mole and hreno. the ep will be released as a limited edition180g baby blue coloured vinyl with a full colour sleeve on reverse board

in december 2013 fishermen released their debut album patterns and paths an album that was very well-received. now they re back! this time with remixes from some of the standout tracks from the album. cut hands, florian kupfer,steve bicknell, abdulla rashim and varg s project ulwhednar is delivering the remixes

now into its second year, shipwrecs sub label deep sound channel turns to newcomer von grall and berlin based do not resist the beat label boss milton bradley for a new four track ep. von grall goes first following on from a couple of releases in 2014 on annulled and planet rhythm records as well as on a va 12inch with bas mooy and developer.

the supremes, the most commercially successful girl group in pop history, were one of the jewels in motown records artist stable. given wonderful material by motown s amazing songwriters, the group scored numerous number one pop hits, as did singer diana ross when she left the group and went solo, and motowns bright, modern, and uptown image as a label had a lot to do with the way these ladies gracefully and elegantly presented themselves and took over a song. two dozen of those number one hits, both as the supremes and as ross solo, are collected here, including the timeless classics *come see about me*, *you cant hurry love*, *you keep me hangin on* and *stop! in the name of love*. the album also features a bonus remix of *you keep me hangin on*.

roberto rodriguez is a helsinki-based dj, producer, radio host and music director. having started making music at the age of 12 in 1987 and starting to dj a few years later, roberto can be called a true veteran. he has released over 50 original releases and 60 remixes including - now-classics like *ride with me*, *besomebody* and *oxymoron*. his vast catalog includes releases on labels such as compost, freerange, delusions of grandeur, room with a view, fina and eskimo. just to name a few.

love song 28, the song that established its writer jullian gomes. this incredibly talented young man hailing from pretoria tshwane in south africa is now one of the most revered producer/djs in the entire country.

despite refusing to stick to a single genre, deft is one of those immediately recognisable producers, which is nice because it means we dont have to waste any time comparing him to anyone else. 2013 saw the croydon man skilfully hopping from headphone to dance styles, often within a track, his signature blend of cinematic soundscapes and crisp, intricate percussion covering hip-hop, house, and ambient. whats more, his noteworthy contributions to the burgeoning uk footwork scene means the young producer can now count mark pritchard, dj shadow and rockwell among his biggest fans, and boy does this boy have fans, check this bandcamp review of his project mooncircle ep voight kampff: anything this magician puts out has a pretty good chance of getting you pregnant right in the good old music hole. says it all really

now he s launching departures ep , a steadily rolling dark techno infused 2-tracker to smash the club floors in 2015. get ready for take off!!

finally a brandnew release on the infamous smackdown recordings.

audiojack had a great 2014 with a collaborative release alongside lcd soundsystems nancy whang, eps on defected, 2020vision and tsuba, and remixes of romanthony and hot since 82 surfacing, here we see the ever on-point duo open up 2015 with some fresh material for their very own gruuv label. since launching gruuv back in 2010 the pair have unleashed material from the likes of huxley, jimmy edgar, darius syrossian, copy paste soul, a1 bassline and phil weeks, testament to their broadly attentive a&r approach with the imprint. now a year deep into their relocation to ibiza, audiojack have left behind their former uk influenced sound palette, and instead embraced their surroundings to envelop new material with the stripped back style of electronic music their new home turf is known for.

the globally trendsetting house and techno family that is visionquest now turns to a new pairing of sonny fodera & gene farris for their debut ep on the label. entitled ‘we work it’, the two-track affair comes with a remix by visionquest man lee curtiss. australian sonny fodera has been at the sharp end of the dance music scene for years now, clocking up huge hits both solo and with green velvet aka cajmere, releasing albums such as afterparties & aeroplanes and appearing on cajual, defected, suara and many more top labels. gene farris, of course, is a chicago house legend who has been active since the nineties, runs his own farris wheel label and has released close to one hundred definitive eps on relief, soma and many others. up first, ‘we work it’ is a lithe ritual of house funk with bent synths and slick mid tempo drums. a spoken word vocal snippet muses on the intake of various substances and the drums roll on infectiously below. it’s sure to be a standout anthem in the months to come given that vocal line and the spiritualness of the keys all around only adds to the effect. the first remix comes from lee curtiss. this one is a much quicker and more peak time bit of tech house with textured, dynamic bass and plenty of drum fills. it’s an involved, more cosmic and tense take on the original, that will build great pressure on the dance floor. all in all this is another on point package from visionquest that will get played far and wide

nebraska is someone who’s tracks we’ve been loving for a good few years now and finally managed to pin him down for a release here on delusions of grandeur. the uk producer is something of an enigma, and despite some amazing releases on rush hour still remains resolutely underground and seems to keep his releases to a minimum, focusing on keeping the quality high rather than flooding the market with average material. once again, he brings the real deal with three drum-heavy warehouse jams to nice-up the dancefloor. aw-right (mute version) sets the tone with a raw house groove that keeps things stripped to the bare minimum. a bouncing bassline and rattling percussion break help to define the track but it’s the dusty, dubby approach to the mix which really makes the track shine. next up we have warp and weft, a similar sounding track but by dropping the bpm’s nebraska has created a sublime low-slung, bumpy groove to really move to. flipping over we’re treated to the brilliant eighty eights which will have you nodding your head like the churchill’s dog before you can say ‘looped up piano and bass one bar groove repeated for over eight and a half minutes shouldn’t work should it?’

jonas rathsman marks the inaugural release on the newly established method white label, a club focused imprint from disclosure ’s method records that will deliver an on-going series of one-off releases available digitally and on a limited run of vinyl. “method white is going to be a platform to release some of our favourite music being created right now, that we feel represents the best of the best of underground electronic music today. we also want to take this further by djing alongside some of the acts who s music we release in our wild life events” - disclosure. jonas has gone a long way to prove his value to the dance music community, his releases on french express and remixes for the likes of london grammar, tensnake, duke dumont and sam smith have established rathsman as a driven and forward thinking producer and dj. with ‘wolfsbane’, jonas introduces the first installment on method white and like the flow er it’s named after, the track is just as deadly as it is beautiful. the track has already been a staple among sets from disclosure, huxley, duke dumont, justin martin and solomun among others with jonas perfecting a mix of dark and light while taking the impact of his drops to all new levels. with forthcoming dates including a six-date foray into north america in february, festival performances to come at bestival, lost village, hideout, parklife and the debut wild life festival in june,there are plenty of chances tocatch rathsman doing what he does best - working a crowd.

more than thirty years after the neon judgement first released tv treated, the song has reached a truly legendary status. it now gets a revamp from man of the moment jimmy edgar & germans legendary dj hell.